
2026-27 RECIPIENTS:

Lalande + Doyle
PROJECT OUTLINE:
“Une Femme En Vaut Deux” is a research-driven art and educational project exploring mixed-identity representation in predominantly white educational spaces. The title, roughly translated as “One Woman Worth Two” or “Strong as Two People,” reflects the artist’s Métis-Japanese-Canadian identity and the ways these cultural identities intersect. The project consists of five educational posters that introduce researched histories, knowledge, and perspectives connected to the artist’s heritage and subjects they would have valued learning about as a student. Designed to be both visually engaging and accessible, each poster includes a QR code linking to a free digital download, additional information, and references, allowing educators, students, and community members to print and display the artwork. The project is rooted in the idea of “free, culturally considerate, educational art,” and printed posters have previously been donated to community associations and Indigenous organizations.
Alongside the five posters are original illustrations exploring the connections between the artist’s Métis and Japanese-Canadian identities, particularly the similarities in philosophies concerning nature and community. Together, the educational posters and personal illustrations create an engaging display for audiences of different ages and backgrounds, with the goal of encouraging representation, curiosity, cultural understanding, and greater access to educational artwork.
Lalande + Doyle
PROJECT OUTLINE:
Untitled - This series of oil paintings explore the emotional and physical experiences associated with opium use. It emerges from the artist’s ongoing research into the opium monopoly in French colonial Vietnam. While much of the historical discussion surrounding the opium trade focuses on economics and colonial policy, the artist is interested in understanding its effects on the mind and body, as well as the experiences of the people who live through it.
Each painting combines portraiture, still life, and botanical painting, depicting a figure interacting with life-sized poppies. Rather than presenting the flower as an object, the artist frames the relationship between the figure and the plant as one of intimacy and dependence, reflecting how comfort can gradually develop into addiction. Each work focuses on a distinct emotional or physical state, including warmth, floating, dissociation, euphoria, and confusion. Through the surreal imagery, the artist contrasts the addictive qualities of opium with the violence of the colonial system that normalizes and profits from its consumption.
The widespread dependence created by the colonial opium monopoly reveals how economic systems profit from addiction and human suffering. Through this ongoing body of work, the artist connects these historical and contemporary issues while also continuing to explore how history can be understood, embodied, and reimagined through painting.
Lalande + Doyle
PROJECT OUTLINE:
“Blinked” is an art exhibition curated by OBAK and Orange Cube magazine to mark Slow
Art Day (April 10). This exhibit invites visitors to pause and engage deeply with images,
each a quiet rebellion against the speed of modern life. Featuring local artists, the show
emphasizes art as a medium of stillness, reflection, and poetic encounter.
Inspired by thinkers like Heidegger, Jonathan P. Watts, and Arden Reed, the exhibit challenges our shrinking attention spans by encouraging mindful looking and sustained presence. Visitors will be guided through slow viewing sessions and communal reflections linking art with well being. The exhibit is a call to return to presence. A celebration of attention in a world that forgets. A soft resistance, staged in images. Curated with care.
Lalande + Doyle
PROJECT OUTLINE:
The exhibition Sous pression/Under pressure celebrates a recent renaissance in artistic printmaking in Ottawa. The fourteen artists involved are all members of the arts collective Friends of the Print Studio (FOPS) associated with the Ottawa School of Art. FOPS has become a locus for renewed printmaking activity in the region. The prints exhibited show the most recent developments in that renewal. These developments include the use of less harmful substances in printmaking.
In the mid 1960s through the 1990s, the art world in general and particularly in Ottawa showed an awareness, indeed a deep interest in handmade, or “hand-pulled” printmaking. The advent of digital printing dealt a considerable blow to the practice in the late 90s. Our project is first and foremost to show the renaissance of the art in Ottawa, using new and less harmful substances and techniques.
2007
Established in
$ 1,077,590
Given to artists
253
Projects funded
IM A VISUAL ARTIST/GROUP INTERESTED IN EXHIBITING MY WORK
IM AN ARTIST/GROUP LOOKING TO EXPLORE AND DEVELOP NEW WORK
IM AN ARTIST/GROUP INTERESTED IN HOSTING A FESTIVAL, CONCERT OR EVENT
APPLICATIONS CLOSED
There are three ARTicipate Project Grant funding streams available. Please make sure you select the correct funding stream for your project and meet all eligibility criteria for that specific stream before applying.
Please ensure you have reviewed our TERMS AND CONDITIONS prior to submitting your application.
Still have questions about which stream is right for you or your project? We encourage you to consult our FAQ page or contact us at alex@artsottawa.ca to discuss your application.
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Donate to the Articipate Endowment Fund and help build the cultural life in Ottawa!
Your donation builds a stable source of funding for artists and arts organizations. Through grants, the Fund supports the artistic activities at the Shenkman Arts Centre and will do so for generations to come, not to mention benefiting the local economy.

Rag & Bone Puppet Theatre
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Cumberland Community Singers
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Windows Collective
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Théâtre du Village Orléans inc
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Tara Luz Danse
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Rapscallion Diversion
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Gharana Arts
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Marc Léger
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Jessica Ruano & Amelia Griffin
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Jeannine Robertson
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Anjali Patil / Nick Storring Collective
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